All three of these looks layer knitwear under an outerwear piece such as a blazer or jacket. In reality you are hiding your knitted garment, but it does make people more inclined to want you to take off that jacket, and show them your cardigan.
Related Site
- title="mens clothing online, cheap womens clothes, fashion tops">Clothes Shops
-How Buy Cheap clothes Online
Related Videos :below I show related videos and not so related to this article.
60 Seconds to Chic: How to perfect the layered look of Fall. Visit http://www.Vogue.TV to watch the newest episodes.
Hairstylist and industry icon Frédéric Fekkai takes you behind the scenes of the 2010 CFDA/Vogue Fashion Fund runway show at Chateau Marmont.
Related Videos :below I show related videos and not so related to this article.
To take a lead now in the headlong rush and cacophony of multi-platform fashion-news generation, it takes a clear mind to figure out what women want, and what we're lacking. And, far more radically, to address aspects of the system that have been (to say the least) annoying the hell out of many. Miuccia Prada did that today with a calm shrug. "It's normal clothes," she said backstage before her show. "Classics. Revising the things I did in the nineties." Behind her, models, hair done up in sixties beehives, were changing. Among them were Doutzen Kroes, Catherine McNeil, Lara Stone, and Miranda Kerr, young women whose relatively curvaceous beauty has generally exempted them from being cast as exemplars of female gorgeousness on runways such as Prada's for the past few years. The clothes themselves were a deliberate, and quietly humorous, compliment to the womanly. If it's the possession of breasts that's been bothering model-casting agents for the past few years, this collection was a nightmare scenario for them. The ample bust was the unavoidable focal point of the silhouette, picked out in balconies of lace ruffles and upstanding pointy-bra formations on raised-waist, wide-skirted dresses and coats. Any girl on the runway who didn't have the natural Bardot-esque equipment was bestowed with it by means of frothy fabric placements, but the eye naturally migrated to the ones who did. The others, young and pretty as they are, marched on in the usual kind of anonymity. In fashion, appreciating the exceptional is always more interesting. Model politics apart, this was not a one-issue shape-lib show. For aficionados, the collection was, as the designer promised, a thorough revisiting of Prada's strengths. She worked the house double-face cashmere into flattering dance-skirted fifties-sixties dresses and skirts, detailed jackets and coats with double-layered collars of cable knit and fur, cut A-line skirts in patent leather, and reprised her signature scratchy-grid prints. Then she broke into an extended riff on Prada knitwear, made into tweedy peacoat-ed suits and chunky belted sweaters. By the time she sent out black coats, smothered with jet embroidery, the entire repertoire of brand Prada—down to the pointy pumps and kooky tweedy socks—had been refreshed and reconsolidated. It was nice to see that Prada envisages this being worn by women other than the zombie army of teen models that has roamed her runway recently—and that has influenced others to mimic that uniform aesthetic. Customers, she can be assured, will like that shift—but will it have a bigger ripple effect than that? Miuccia Prada is a fashion-industry influencer. Let's see who scrambles to follow the leader.
Hairstylist and industry icon Frédéric Fekkai takes you behind the scenes of the 2010 CFDA/Vogue Fashion Fund runway show at Chateau Marmont.
Related Videos :below I show related videos and not so related to this article.
Sonia Rykiel-Westwood Red Label-Donna Karan-Emanuel Ungaro-Dries Van Noten-Costume National-Paul Smith-Oscar De La Renta-Westwood Gold Label-Chanel-Louis Vuitton-Kenzo-Leonard-Tsumori Chisato-Akris-Guy Laroche-Christian Lacroix-Miss Sixty-Max Azria-Diesel-Lacoste-Barbara Bui-Chloè-Rick Owens-Ralph Lauren-Loewe-Wunderkind-Anne Valerie Hash-Carolina Herrera-Rebecca Taylor-Hervè Leger-Derek Lam-Vera Wang-Bagdley Mischka-Tibi-Chandran-Gaspard Yurkievich-Ashish-Avsh Alom Gur-Paul&Joe-J.C. de Castelbajac-Custo Barcelona-Isabel Marant-Issey Miyake
Hungarian born György Ligeti is most famous for his work with the director Stanley Kubrick. If you felt uneasy watching The Shining or 2001: A Space Odyssey, then feel free to blame the creepy, dissonant sounds layered on the soundtrack by this challenging composer. Before his acclaimed film work, Ligeti ran into trouble with the communist state over 'subversive piano pieces', before travelling to Germany to make pioneering electronica at the legendary WDR studio. Some of his mid 50s recordings almost rival the work of his one time colleague Karlheinz Stockhausen. 1957's Glissandi is probably his most famous piece, but I've always had a soft spot for the freaky Artikulation. This version (with more than a few vinyl crackles) is from from a compilation of wonderful experimental noise called 'A Panorama of Experimental Music'... The video is lifted from a public domain science flick called "Everyday Radioactivity" which explains the joys of alpha beta and gamma rays. The film features Don Herbert (aka Mr. Wizard) who tried to make science fun and accessible. Think of him as an American Johnny Ball without the hideous knitwear and DJ daughter.
Suscrbete va Feed (RSS)
0 comments:
Post a Comment